Code Music Spanish

The establishment of the Musical Instrument Digital Interface (Midi) in the late 1980s allowed hobbyists and musicians to experiment with sound control in ways that previously had been possible only in research studios. Midi is now the most prevalent representation of music, but what it represents is based on hardware control protocols for sound synthesis. Programs that support sound input for graphics output necessarily span a gamut of representational categories. What is most likely to be lost is any sense of the musical work. Thus, for those involved in pedagogy, analysis, simulation, notation, and music theory, the nature of the representation matters a great deal. An understanding of the data requirements of different applications is fundamental to the creation of interchange codes. The contributors to Beyond Midi present a broad range of schemes, illustrating a wide variety of approaches to music representation. Generally, each chapter describes the history and intended purposes of the code, a description of the representation of the primary attributes of music (pitch, duration, articulation, ornamentation, dynamics, and timbre), a description of the file organization, some mention of existing data in the format, resources for further information, and at least one encoded example. The book also shows how intended applications influence the kinds of musical information that are encoded.

Once the most popular form of Spanish entertainment short of the bullfight, the zarzuela boasts a long history of bridging the categories of classical and popular art. It is neither opera nor serious drama, yet it requires both trained singers and good actors. The content is neither purely folkloric nor high art; it is too popular for some and too classical for others. In Zarzuela, Janet L. Sturman assesses the political as well as the musical significance of this chameleon of music-drama. Sturman traces the zarzuela's colorful history from its seventeenth-century origins as a Spanish court entertainment to its adaptation in Spain's colonial outposts in the New World. She examines Cuba's pivotal role in transmitting the zarzuela to Latin America and the Caribbean and draws distinctions among the ways in which various Spanish-speaking communities have reformulated zarzuela, combining elements of the Spanish model with local characters, music, dances, and political perspectives. The settings Sturman considers include Argentina, Mexico, Puerto Rico, and the U.S. cities of El Paso, Miami, Chicago, New York, and Napa, California. Sturman also demonstrates how the zarzuela plays a role in defining American urban ethnicity. She offers a glimpse into two longstanding theaters in New York, Repertorio Espanol and the Thalia Spanish Theatre, that have fostered the tradition of zarzuela, mounting innovative productions and cultivating audiences. Sturman constructs a profile of the audience that supports modern zarzuela and examines the extensive personal network that sustains it financially. Just as the zarzuela afforded an opportunity in the past for Spaniards to assert their individualityin the face of domination by Italian and central European musical standards, it continues to stand for a distinctive Hispanic legacy. Zarzuela provides a major advance in recognizing the enduring cultural and social significance of this resilient and adaptable genre.

Read Music/Speak Spanish - Indie rock band Desaparecidos released their debut album Read Music/Speak Spanish in February 2002. In contrast to the emotionally intense but restrained sound of Bright Eyes, also fronted by Desaparecidos frontman Conor Oberst, Read Music/Speak Spanish (recorded in one week) is loud, ragged and raw.

Music of Belize - Belize is a small country in Central America, and its culture is a mix of Mestizo, Maya, Spanish, British and African influences. After many centuries of Maya domination, Spanish and then British colonizers arrived in the area, the latter keeping Belize as its only colony in Spanish-dominated Central America.

Daily Source Code - The Daily Source Code is a podcast by one of the founders of podcasting, Adam Curry. Curry talks about his everyday life and events in the podcasting scene or the news in general, as well as playing music from the Podsafe Music Network and promotions for other podcasts.

Music of Paraguay - In contrast to most of its neighbours, the national music of Paraguay is overwhelmingly European in character. This is quite ironic given that Paraguayans, of which an almost absolute majority is mestizo, are in general very nativist; of the two national languages spoken by a universally bilingual population, Spanish and Guarani, the latter indigenous language is favoured as the language of everyday speech while Spanish is reserved for more formal settings.

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